Paula Rego at Tate Britain

Paula Rego at Tate Britain A story of stories of women’s stories.

Interrogation 1950

No holds barred here. Intelligent, sympathetic, emphatic, brutal, honest and most discomforting. Paula Rego, Tate Britain. @tate

Bio – below

Turkish Bath 1960
Sleeping 1986

Her many styles are on display here, her forms and approaches, showing her developing oeuvre, each time dramatic in their formats.

No holds barred here. Intelligent, sympathetic, emphatic, brutal, honest and most discomforting. Paula Rego, Tate Britain.
When we had a house in the country we’d throw marvellous parties and then we’d go out and shoot black people. 1961

After visiting this exhibition and truly contemplating the messages behind the images, who could not become a feminist and empathise with the cause.

The Raft 1985
No holds barred here. Intelligent, sympathetic, emphatic, brutal, honest and most discomforting. Paula Rego, Tate Britain.
The Vivian Girls as Windmills 1984

Rego looks deeply into how women’s identities are shaped by patriarchal societies. She delves into the more sinister side of children’s stories; she explores adult’s cruelties and the wildness of children.

able to make her own unique contribution to defiantly responding to male hegemony.
The Dance 1985

Rego emphasises the vulnerability of women, in one place concentrating on her homeland of Portugal and the Salazar regime, the outlawing of abortion and the subsequent yet further abuse of women.

Target 1985
A woman in a man's world
The artist in her Studio 1993
A woman in a man's world
Circumcision 2009

Rego’s style reject the submissiveness and contempt imposed on women in many societies.

A woman in a man's world: Thomas Hardy's Wessex
The Return of the Native 1993

It is perhaps telling that she lives in the UK for most of her life and indeed had become the first female artist in residence at the National Gallery, London (where she subverted some works of prominent male artist e.g., Hogarth, working in a man’s world, constructed by men).

A woman in a man's world
Angel 1998

Perhaps it is only in the liberal Western economies that a female artist such as Paula Rego could be so openly and successfully able to make her own unique contribution to defiantly responding to male hegemony.

able to make her own unique contribution to defiantly responding to male hegemony.
Human Cargo 2007-08

Bio:

Dame Maria Paula Figueiroa Rego DBE RA (born 26 January 1935) is a Portuguese-British visual artist who is particularly known for her paintings and prints based on storybooks. Rego’s style has evolved from abstract towards representational, and she has favoured pastels over oils for much of her career. Her work often reflects feminism, coloured by folk-themes from her native Portugal.

Rego studied at the Slade School of Fine ArtUniversity College London and was an exhibiting member of the London Group, along with David Hockney and Frank Auerbach. She was the first artist-in-residence at the National Gallery in London.[1] She lives and works in London. (source – Wikipedia)

Paula Rego at Tate Britain

Art-Tales is a magazine blog site following the journeys and reflections through the art world of artist, sketcher, art historian and critic Al Beckett.

Merely to amuse, inform and entertain, Art-Tales is aimed at people who simply wish to dip a toe into the art world, share an insight, smile at a joke and maybe even be informed a little.

Al regularly visits the major galleries in the UK and whenever possible, mainland Europe and the USA. He keeps up to date by subscribing to many periodicals, viewing documentaries and the news in general.

Al paints and sculpts himself and frequently sketches in-situ. He has written a book ‘The Primacy of Your Eye’ designed to give people some insights to enhance their experiences in galleries. Fully illustrated with 400 sketches and drawings of major art works and their artists, the book takes the reader on a journey through topics to perhaps consider to enrich the viewing experience.

To many, the art world is daunting, to others it holds little interest. A gentle submersion at a depth to suit the individual can produce rich and rewarding results.

That’s the purpose of Art-Tales.

Paula Rego at Tate Britain